So
I'm starting to think we must have reached a new phase in man's
progress from the primordial slime to the stars when, still boggling
over wotwine, I'm told about this: An
Augmented Reality App which
Will
Bring Your Wine Bottle To Life. Actually,
just writing it down makes me partly lose the will to live, but no,
this is where the world is going, this is the kind of thing the
millenials dig, so I mustn't be off-trend about it, I must embrace
the now.
Which
is? Look, it's easier if you just watch the video: this more or less
explains how, if you buy a bottle of 19
Crimes
Australian red - marketed by the all-conquering Treasury Wine Estates, a company that also handles Blossom Hill, Penfolds, Wolf
Blass - then download the 19
Crimes
app onto
your phone and point that phone at the label of the bottle, the
grizzled face depicted on
the label will come to life on
your phone
and start bending your ear about the real-life crime he or she
committed, or at least was convicted of, in the nineteenth century
and which led to her or his transportation from England to Australia.
For
the sake of my children, I begged for mercy,
says one; Forgive
me for caring more about myself than the cause,
announces another, with a sneer. Little faces! Talking at you!
A
bit
weird
for the dinner-table? Well, yes, except that, as the website (that
old thing) explains, 'For the rough-hewn prisoners who made it to
shore, a new world awaited.
As
pioneers in a frontier penal colony, they forged a new country and
new lives, brick by brick. This wine celebrates the rules they broke
and the culture they built.' In other words, it's all positive. You
can even Connect with the gang
and Join the banished
if you're so absolutely parched for stimulation that joining a
virtual society of deceased ex-cons who exist only to gimmick up an
extremely small range of reds (Cabernet Sauvignon, Red Blend and
something called Dark Red) seems like a good idea. Why not? It's that
or wasting the evening on a re-run of Celebrity
Antiques Road Trip,
so you might as well.
And
of course it's not so much the product itself, the 19
Crimes,
which is significant, but what it represents. You can see it coming,
like bad weather across a sound, a new dispensation in which wines of
all sorts will talk
to us, or play
music, or host
an impromptu quiz when they sense that the chit-chat round the table
has got onto Donald Trump again, and what do you know? John XXII is
looming out of the Châteauneuf-du-Pape bottle and asking us, in
guttural Mediaeval French, how late the trains run because he has to
get back to town? Or the bay on the front of your Oyster Bay starts
making soothing lapping sounds, broken only by the bleating of sheep
and foul-mouthed bucolic New Zealand banter from unseen shepherds and
winemakers? Or raised voices are heard coming from the villa on the
Chianti label and after a while you realise that it's you
they're shouting about, and not in a friendly way either,
particularly unnerving as you're drinking on your own and
already regretting it? Or the cockerel on your Le Réveil starts
crowing and
will not shut up,
not even when you stuff it in the recycling bin and heap empty soup
cartons and bleach bottles on it?
And
the wine? Wine is such a twentieth century thing. Do we really need
to think about the wine? How does wine even fit into a world of
constant intermediations from ongoing digital reference points? How
do we find the time to drink a glassful before we have to share the
experience with one or more digital platforms while the AI is toiling
away in the background, cloudbasing our subjectivities into a
worldpermeable interface which then allows someone from Abilene,
Texas, to address us,
mid-drink, live from the label
on the wine
bottle and suggest that maybe the tannins are a bit overdone? See,
this is augmented reality and if anyone says that wine in and of
itself is quite capable of augmenting reality, they haven't
experienced either enough or the right kind of augmentation.
CJ
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