So,
filled with excitement from our adventures in Corsica, we make our
way to the French mainland to stay with our pals in the Ventoux
region. Here we discover to our horror that their house in the hills
is even more eye-wateringly beautiful than the last time we were
there, in fact is so glamorous that we wonder if we shouldn't sleep
in the car rather than attempt to live up to the bedding in the spare
room.
Still.
After a day or so we have recovered enough from the shock to be able
to loll around the pool and spend a couple of hours over lunch and
drink our aperitifs on the upper terrace and generally kid ourselves
that it wouldn't have taken that
much effort on our part to achieve the same sun-drenched perfection,
we just had different priorities. Then, to add to my bliss, if that
were possible, our host Allan says that if I want to buy a quantity
of local grog, he'll take it back to England for me in his luxury
shooting brake.
Giggling
with anticipation, I head straight down to the nearest cave,
spending only an hour wandering around the adorable tourist honeypot
townlet in which it is situated before actually going in to choose
the drink. Which means that I am so surfeited with
well-being by the time I enter the cave,
I'm
not really in a position to deal with the profusion of wines which
suddenly fills my vision.
All
I want is a medium BiB
(as in Bag-in-Box
as the French call them, i.e. a no-nonsense working man's wine box)
of red, another of rosé and a third of white. But (a) I am initially
thrown by the luscious high-end Ventoux bottles parked at the
entrance and (b) am subsequently thrown by the presence of two elfin
and hypnotically French young women, wrestling with a pallet of BiBs
in exactly that dingy corner where the cheap grog lives. As I
consequence, I gather up two whites and a red instead of a red, white
and pink, stagger over to the check-out and only discover what I've
done ten days later when Allan drops them off.
My
bad, as they say, but since the stuff works out at slightly less than
€3 a litre, I can't really complain. But what exactly is
it? One 5 litre container owns up to nothing more specific than White
Ventoux,
plus instructions for getting at the tap. The red, similarly, is just
AOC
Ventoux Rouge 2012. Only
the other white, the one bought in error, fesses up to anything:
Viognier
Chardonnay 2012
it says. This is the one, at any rate, which I cram into the fridge,
having sawn the top off the box to get it to fit. The red I place on
top of the wine rack, no more than half a metre from my elbow while I
eat.
I now have more cheap drink at my immediate disposal than I have
ever had in my life. I could drink myself witless every night if I wanted
to. Things could not be much better.
Except
that, like the stooge in a morality tale, I find myself increasingly
beleaguered by the superabundance of my own supplies. The red is
pretty much as I hoped for, with that lightness and hint of austerity
I associate with Ventoux; the white, on the other hand, gives
me mild tinnitus plus a sense of existential doom. Why? It should be
fine. I force myself to drink more, in order to desensitise my tastebuds.
Over time it does seem to become less industrial; perhaps as it
degrades in its BiB
(four weeks is the maximum time you've got to drink it, according
to the box). But it is a grim, attritional business.
But
then (God help us) this raises another, bigger question: how
much am I drinking?
I pour a generous splash into my faithful Duralex tumbler, consume
it, pour another, consume it, pour another, I mean there are 5 litres
in there, or there were, and the cardboard is opaque, so in some ways
it's a bottomless vat of wine, but in another way it's a nightmare,
in which I entirely lose count of how many glasses I've poured
myself, and only know that at the end of the evening I feel eighty years old and as if my mouth has been pressed into service as
a photographer's developing tray.
After
several days of this, I work out that what I need is a pichet, like
PK's, into which I can pour a metered quantity of drink. A little
glass jug catches my eye. I shall find out how much it holds, then
determine how much 40 cl of wine looks like when poured into it, then
use that as my guide. That way, I shall not only retain a measure of
self-control at supper time, I shall make my booze last longer.
I
take the jug down from the shelf. It looks a bit dusty. There is a
small crack next to the handle. My wife, who happens to be passing,
says, 'You know we use that to put flowers in, don't you?'
'Yes,'
I say, with a pathetic timbre in my voice. 'But I have my dignity to
think of.'
And
indeed, that evening I sit there full of bourgeois self-importance
with my little jug of wine, and everything works according to plan,
even though the wine is not only light and austere, but oddly nuanced
with a flavour of dust. Only another week to go, I reckon.
CJ
Outside of France, winemakers working in a natural way might have a real use for charters and legally defined terms. In France, and particularly, Paris, the fundamental Baacco The Community Based Wine Marketplace of the scene operates as a system of mutual oversight.
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