So,
a few weeks ago, some pals come round with a bottle of this Bolney
Dark Harvest stuff. I instantly place it somewhere no-one
can get at it, unnerved both by its high-tone demeanour and by its
Englishness - specifically, its red Englishness. Yes, I think we're all solid with
the idea that English vineyards can do white, but English red still
has the capacity to give me a funny turn, despite the fact that
in this case
it comes with a slinky good-taste label and a little badge from some
bunch of international back-slappers, just like a proper red wine. So it vanishes.
Some
time later, I rediscover it and knock it off over a
couple of nights and what do I find? It
seems okay,
is what I find.
I can't remember what year was on the bottle and I have never heard
of the rondo grape, but at the time it just goes down, quite
assertively, but telling
a good story on the way.
It
also stays down, not always a given. I am reduced to holding the
bottle away from me and squinting mirthfully at it, like an Edwardian
with a pet monkey, scarcely able to believe that such a thing can be,
but quaintly gratified that it does.
Then I'm stirred by a long-buried memory: doesn't PK have something
to say about this, somewhere in Sediment?
And what do you know? He does, but over
seven
years ago,
which distresses the hell out of me, I mean, have we really been
doing it
for that
long? Anyway,
he thinks it's garbage: bordering
on the urinal,
rotting,
like biro ink, very unpleasant.
There you go. He's talking about the 2008, of course, not whatever it
is I've drunk, a 2014? 2016? Maybe the 2008 is their outright
catastrophe, the one they never mention,
their first, cacked-handed attempt.
There are some comments beneath PK's rant which back him up: most
unpleasant is the shock; I have never tasted such a hideous 'wine' in
my life;
and so on. It looks bad.
And
leaves me where? Well, I'm still quite enjoying it, retroactively. It
probably
is
a bit of a yob
as reds go, but in comparison with my usual idea of a red it's got depth,
for sure, plus an element of structural integrity I don't get in,
say, Waitrose's own label Rich and Intense Italian Red, £4.99. In
fact, far from writing the encounter off PK-style by wheeling out that
old Dr. Johnson Christmas cracker motto about dogs on their hind legs, I feel
like enlarging my love for all English wines, not that I've got much
of a relationship with them, but for those that I have, which pretty
much amounts to:
Bolney
Dark Harvest (see above).
Nyetimber,
whose award-winning sparklings I have hit once or twice and which I
have slightly liked in a dutiful sort of way, as if they were
doing me good, especially in the sense of rinsing my gums thoroughly.
Denbies,
where I went, not that long ago, to a birthday party held in the
winery's larger-than-life event zone. It was very grand and we wanted
for nothing (I was seated next to an Italian Jungian, that's how far
out it was) and the booze - the wines, at least - were Denbies all
through: red, white, sparkling and rosé.
And I have a quasi-memory of being pleasantly surprised - slightly in
the manner of the Dark Harvest - by, I'm thinking, the rosé,
although it might have been the white. Either way, it was no hardship
to drink the stuff and I can remember staring with fuddled benignity
at my glass and thinking how clever they must be at Denbies to make
something drinkable right next to Dorking.
In
other words: given a broad-scale complication of Brexit, climate
change, a collapsed pound and some half-way okay wines, the English
option doesn't start to look so ludicrous. It would be nice if they adopted some sexier names - I'm thinking Saint-Didier
l'Inconnu, Eternal Crossrail, Balthazar's Lost Weekend, Gutbucket
Hampton,
more like the stuff that comes out of the beer breweries or anywhere
in New Zealand - but apart from that, I think we have go. We have the
full English. Time for PK to take another run at the thicket of his
prejudices.
CJ
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